Hector A. Ruiz

MBA, Project Manager, Tennis Player, Musician, and Author of "How to Destroy a Country"

Month: December 2024

The spaceship that keeps taxiing

As far back as I can remember, The Beatles have always been my favorite band. Not only that, but I also rate them as the most influential band of all time, and anyone who says otherwise should receive history and music lessons for a full year. They are the greatest band / musical artist of all-time period. Unquestioned. Undoubted. Undeniably.

So what about the Rolling Stones? I mean after all, many fans and pundits point to the Stones as the greatest band of all time after The Beatles. As far back as I can remember, I have never really cared that much about The Rolling Stones. I do not dislike them, I actually enjoy all their songs. However to me, they have always sounded like the band that tried to be better than The Beatles, but never could. To me, if there was a textbook dictionary definition of “second fiddle”, it would be The Rolling Stones. So this past weekend I decided to listen to all their discography, song by song, to try to understand why are they rated so highly in the musical spectrum. I have been listening to them all my life. I listened to them non-stop with a now more mature ear to see if my perception of them changed, and I could appreciate their greatness as others do. In the end, my perception remained unchanged. Given the result, I decided to share my thoughts on why The Rolling Stones are rated so highly, beginning with the premise that far from being the second greatest band of all time, 

The Rolling Stones might in fact be the most overrated band of all time.

#1. Marketing.

I am obviously not a baby-boomer, so I was not around at the time the Stones rose to fame. However as you should probably know, I am an avid reader and an amateur historian who enjoys time traveling to different eras and relating to how events and people influenced life.

As The Beatles took over the musical streamline, several copycats / competitors emerged. Many were frauds, many were talented -but not as talented-, but none could equal John, Paul, George and Ringo. My guess is that there was a definitive push by other records / labels / producers, to incentive some sort of competition and / or rivalry with The Beatles. The band who benefited the most from this push, are The Rolling Stones. Think about it: The Yardbirds, The Monkeys, The Kinks, The Animals… all failed. The Who and The Beach Boys just could not keep up. And then there were The Stones.

#2. Mick Jagger.

I do not know what “it” is, but Mick Jagger has it.

Every single woman I have dated -and almost every single woman I have met- has been attracted to Mick Jagger. I have always found this remarkable. The guy is skinny as fuck. He is not handsome, he is not… anything. What do women see in him beats me.

#2.1. Mick Jagger, the frontman.

Continuing the above analysis, there is something crucial that I recognize of Mick -even if his irresistible manly attributes to women escape me-: Mick created the frontman figure. Before The Stones, a band’s singer was merely, well… exactly that: the signer and no more. The Beatles did not need a frontman, because they were so frigging talented, their music functioned as a vehicle for any audible and visible vein they as artists needed to fuel audiences. However, aside from them, Eric Burdon was just The Animals’ singer, just like Jack Bruce for Cream. Jimi Hendrix was the singer for his band, but his prowess as a guitarist were the main protagonist of his performances.

Mick on the other hand, established the role of a singer who could interact with the audience, and evoke feelings from them beyond those originated from the band’s songs. His dancing, his mannerisms, his expressiveness, would elevate the band, and his particular role within the band. If you think about it, Mick does not even have a great voice. He is an average signer at best, easily surpassed by even Ringo Starr. But by incorporating a persona that magnifies the role of a singer and expands it into what is now known as a frontman, Mick was able to stand out like no one else did.

Now give the frontman a great voice, and now you have a real powerhouse on stage, which is how Robert Plant and Freddie Mercury elevated the role of a band’s frontman. Peter Gabriel also elevated it, albeit in a different way, with complex lyrics and costumes to portray characters from Genesis songs.

#3. Exploiting sensitive topics.

The band releases an album with a cover that looks awfully similar to Sergeant Pepper’s. They also write a song about the devil -which ultimately becomes one of their masterpieces-.

So why does my opinion of The Stones remain the same? Well, in short because they fail to impress me. Other than their biggest hits, most of their songs feel kind repetitive. When I was listening to Exile on main street, I had a hard time distinguishing between the tracks. At one point I thought I had been listening to a fifteen-minute piece, when in fact four songs had gone by. Mother’s little helper has always been my favorite song of them. It’s a great piece with great lyrics, but still, remove the sitar and it’s just a flat song in A-Major repeating the same musical theme for three minutes straight. Compare that to The Beatles, where you have not one, but four distinct and unique voices capable of bringing a plethora of emotions to the listener. In The Stones, you are stuck with Mick since 1963.

Then there is the band itself. If you asked me to name what I consider the second greatest band of all time, I will have to do a lot of research and homework to come up with a single choice. However, when it comes to naming options, they would be: Led Zeppelin, Deep Purple Mark II, Pink Floyd, and Genesis. Deep Purple would have probably been the second greatest, had Mark II survived longer than what it did. Pink Floyd could hold the title, but they are not quite there yet for reasons that deserve a separate entry. Genesis -Gabriel’s era- is another strong candidate, but unfortunately, they are too niche. So let’s talk about Led Zeppelin and how do they compare to the Stones as candidates for second greatest band of all time. For the sake of argument, let’s assume Zeppelin’s catalogue is original -meaning let’s not bring up the plagiarism issue-.

Mick Jagger vs. Robert Plant: this is perhaps the only aspect one could evenly weigh. Still, Plant’s voice is infinitely superior to Jagger’s.

Keith Richards vs. Jimmy Page: Richards is a great guitarist, one of the best of all time. My issue with him is that, other than a few glimpses of creativity here and there, he never truly evolved. Page on the other hand, created memorable riffs, solos, works of art that are studied to this day. Yes, Satisfaction is great, and I am quite sure it was groundbreaking when it came out, but if Satisfaction broke new ground, then How many more times broke a new core; Whole lotta love created a new planet; Immigrant song sent us into outer space; and Stairway to Heaven, well… it’s Stairway to Heaven.

Brian Jones / Other guy vs. John Paul Jones: you know you have a problem when you kind of struggle to remember the band members of what supposedly the second greatest band of all time is. I will keep this one simple. As great as Brian Jones was, he was no John Paul Jones.

Charlie Watts vs. John Bonham: this one is not even fair.

…so broken individually, The Rolling Stones cannot even compare to Led Zeppelin. You can make the case that the whole is greater than the sum of the parts, but going back to the original premise, that only holds true for The Beatles. The fact is that Zeppelin is by far a superior combination of individual musicianship.

What is left is then the comparison of their respective peaks: 1963-1972 for The Stones, and 1968-76 for Zeppelin. During this period, The Stones released: Rolling Stones now, Out of our heads, December’s children, Aftermath, Between the buttons, Their satanic majesties request, Beggars banquet, Let it bleed, Sticky Fingers and Exile on Main St.

Zeppelin did: I, II, III, IV, Houses of Holy, and Physical Graffiti. Each one of these albums is a masterpiece. There is not a single wasted track. 64 songs, one better than the other. Some conventional, some rock, some blues, some folk, some with mythological references, some with Caribbean influences, some funk, some ballads.

Overall, both band’s catalogue is very close, but due to their variety and multiplicity of themes, I have to give the advantage to Led Zeppelin.

As I close these lines, I think of that comment I overheard from Roger Federer. “How can he be considered the greatest of all time, when thanks to Djokovic and Nadal, he’s not even the greatest of his era.” That is what The Rolling Stones are to me. They are like a spaceship that keeps taxiing waiting to take off, but never does… and never did.

Merry Christmas!

…and Happy Holidays to everyone!

HR

Fourth wing

Fourth Wing by Rebecca Yarros is an enlightening book, not precisely for being a literary masterpiece, but for originating a new marketing case study on consumer behavior.

As I write these lines, Fourth Wing sits at Amazon with a mesmerizing 285,000 ratings averaging 4.8 out of 5 stars, and 278,000 reviews on Goodreads and an average rating of 4.57. To put it in perspective, The Beatles merchandise ratings add up to tens of thousands. The Harry Potter box set features sixty thousand ratings -with Sorcerer’s stone leading with 130,000. Granted it is possible a significant percentage of those 285,000 ratings are spam, still would it be safe to say that even at the worst case, at least a third of them are legit? Maybe a quarter? Does that mean that 70,000 people made a conscious decision to rate this book a collective 4.8 out of 5? Not even Game of Thrones, Harry Potter or Lord of the Rings feature comparable numbers. “There has to be something astonishly great about it”, I thought. Spoilers: there is not.

I got my hands on Fourth wing while I was also reading another fantasy sci-fi story (Sun – The Reborn series). I realized I needed some sort of compass from the genre in order to properly review Sun, so I figured that using Fourth wing as reference would be the best choice based on the recent trend that has driven its popularity to stratospheric heights. “Maybe this is the standard of the sci-fi fantasy genre”, I thought.

As I breezed through the pages, a recurring thought would accompany my reading: “Who can enjoy this book? The writing is predictable, the characters have every possible stereotype you can imagine, the plot is non-sensical… so what is so great about it?

Some of the highlights include (general paraphrasing):

“I love you, but I can’t…”

“You are not meant to be a dragon rider, because you are (insert random challenge) …”

“He is so evil to me, and that’s what makes him so irresistible…”

There is nothing wrong with these cliches. In fact, there is nothing wrong with teenage love and artists exploiting it. This is the same wave Ed Sheeran and even The Beatles rode during their initial years as band. Unlike the former, fortunately the latter evolved from the trend, and that is how they became the greatest influential band in occidental music, but back in their early pop days, you just had to switch off the thinking part of your brain, pay no attention to the lyrics, and enjoy the ride for what it was. In order to finish Fourth wing, you may have to do the same thing: enjoy the fantastic amalgamation of the highlights from some of the most successful artistic works from the past twenty years:

1. Dragons, from Game of Thrones.

2. A school / training location setting, from Harry Potter.

3. A major war taking place in middle Earth, as in Lord of the Rings.

4. A frail female lead character, like in Divergent.

5. A romance element of a young female discovering love, as in Twilight.

6. A young female lead character with outstanding skills, like in Hunger Games.

7. A spectacular very explicit sex narrative, as in… well, all books that need a spectacular very explicit sex narrative because the core elements of proper writing are missing.

…so the problem that I kept running into was that every time I flipped a page, I found myself saying / THINKING out loud: “That’s from Game of Thrones”, or “Oh, just like it happened in Lord of the Rings”, or “Ok, this kind of feels like that scene from Divergent”. Therefore, unless you haven’t read any of those books (or watched the movies), Fourth Wing -like Sun- will hardly surprise you. With so many references, I felt like this book tried to cover multiple ideas, and while it didn’t quite fail at its attempt, it never truly succeeded because it neither displayed any originality, nor it developed any of the themes to a deeper level. It is hard to become interested in a story where so little effort has been made on its construct.

Even with the critical part of my brain switched off, there were two things that slightly bothered me about the book. The first one was the hardest to get past by: the dialogue. It was a little off-putting that the personalities of these middle Earth / medieval characters resembled modern 202X Tik-Tok teenagers. For most of the book I felt like I was overhearing a conversation from a group of kids hanging out at a New York City bar. I was actually expecting Violet to say something like: “Fuck me!! This is so cool!” I was actually shocked it did not happen. It was very disappointing to read such poorly written teenage dialogue. For context, good dialogue written for teenage characters would be: Arya Stark, Frodo Baggins, or Harry Potter. They do not say “Fuck” every other line.

The second grip was from a contextual perspective given the setting where the narrative takes place. I am guessing that this war has been going on for quite some time, and that after several years of fighting it has taken its toll on Navarre. The vast efforts to win the war are palpable, meaning that hundreds if not thousands of people are needed to win it. If that is the case, then why do volunteers who are not skilled in a particular trade have to die. Why not give them another job and sign up for something else? I get it. Becoming a Dragon rider is a life-or-death deal, but couldn’t they become supply carriers, healer assistants, or something to that effect, as it happened with Starship Troopers, or even that goofy movie Hot Shots?

As it happened with Sun, there is nothing profound in Fourth wing. There is no major revelation, no major character transformation, no grand arc, and nothing to have it stand out as a literary masterpiece. Did I dislike Fourth wing? No. Would I recommend it? I can come up with dozens of other better books to read over this book that felt more like a Saturday morning cartoon show that dragged on forever.

There is nothing wrong with Fourth wing. Unless you don’t want to be singled out as the one person in your circle who hasn’t read it, you are honestly not missing anything special by not reading it. On the contrary, you are missing a lot in life if you have not read Dune, 1984, The Prince, or the Divine Comedy. Fourth wing is just an average book that has all the ingredients to become hugely popular (which it did), but not transcendent. The characters are decent, the story is decent, the writing is mediocre. 4.8 out of 5, as in better than War and Peace, Don Quixote, and Huckleberry Finn? No.

A quarter of a million ratings averaging 4.8 out of 5. Maybe it is just my opinion that Fourth wing is not that great and in reality, it is. Maybe it is not that great, and a quarter of a million people are unfamiliar with past literary works Fourth wing not only draws inspiration from, but actually copies ideas from. Maybe the roles of good writing have reversed and The Divine Comedy, The Trial, and Great expectations are being revealed as poorly written, and Fourth wing is the proponent of the new literary world order. Then again, I want to think there is a reason why these literary works have survived for hundreds of years, and are still studied to this day. Will Fourth wing become one of them too? Only time will tell… or maybe it will become an HBR case study.

HR

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